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Frame denotes print available as Giclee on canvas |
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Frame denotes print available as Giclee on canvas |
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Frame denotes print available as Giclee on canvas |
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Frame denotes print available as Giclee on canvas |
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Frame denotes print available as Giclee on canvas |
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Frame denotes print available as Giclee on canvas |
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The imposing towers of the Roebling Bridge have defined the Cincinnati skyline for over 150 years. Most of the waterfront buildings shown here have long since been buried beneath concrete. These ancient structures where the likes of Mark Twain, John James Audubon, and Stephen Foster once lived have been turned into the infield for the Cincinnati Reds.
This scene is a formal portrait for the great steamer Gordon C. Greene. The Greene was for many years the pride of the Greene Line steamers of Cincinnati. The company gradually made the transition from carrying freight on the river to the overnight excursion business.
Although Gordon C. Greene was a wonderful boat with a steel hull and up-to- date boilers, she lacked private bathing facilities in all the cabins. After the war, the Greene family brought the Delta Queen to the Ohio River and placed the Gordon C. Greene over on the Mississippi River.
She was sold, meeting an unhappy fate when she eventually sank along the St. Louis waterfront in December of 1967.
Flanking the Greene in this pre- war portrait are the wonderful Island Queen and, to the left, the sternwheel towboat, Julius Fleischmann.
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Hand re-touched mounted (or stretched) giclée on canvas,
framed as shown, sized 28 x 48 inches, plus frame with
brass nameplate: $1,375 (plus shipping and crate). |
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Hand retouched giclée on canvas with brass titleplate
(unframed) $850 including shipping. |
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Frame denotes print available as Giclee on canvas |
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The Steamer KATE ADAMS was affection-
ately known as “Lovin’ Kate.” Her steel hull was no match for the tiny boll weevil that destroyed the cotton trade and a way of life on the Lower Mississippi.
In 1926, her owners brought her up to the Marine Ways at Paducah, KY, and had her cotton guards covered over. They intended for her to compete in the freight and passenger business along the Ohio River.
Her large size and fuel consumption made her lose money, and she was laid up along the Memphis levee, where she burned later that year. Her whistle was dug out of the Memphis mud.
You will find this wonderful essay, written by Capt. Frederick Way Jr., about the whistle’s disposition. It is well-worth the read:
“All of which is a long story and inadequate to those who remember the tremor of her decks and the deep hoot of her bull frog whistle, which could be heard for 30 miles back in the Mississippi Delta. Some years later, Capt. Dick Heirnaux brought out the towboat LEONA with a large single-chime whistle said to have come from the KATE: said to have been dug from the mud at Memphis. I doubted this. One day on the Cincinnati Wharfboat, an aged roustabout was half asleep on a freight pile and I was standing nearby. Unexpectedly the Leona blew a blast of that whistle while coming under the suspension bridge. Quite as unexpectedly I witnessed that old man awake and raise his head like a hound dog which has heard a wolf call on a still moonlit night. As the vibrant deep note died away in the echoes, this old man cried plaintively: “COTTON PILE—COTTON PILE! DAT’S DE OL’ KATE MOANING FOR COTTON, GOD BLESS DE KATE ADAMS.” He shuffled to the doorway to look, half expecting to see two tall stacks, two swinging stages, a blue domed pilothouse, and Capt Billy Hodge at the wheel. I walked the other direction a believer.”
The Steamer J. T. HATFIELD worked the coal trade on the Ohio between Point Pleasant and Cincinnati for over 30 years. The ancient wooden coal flats she is pushing had a nasty habit of sinking.
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The hand re-touched, framed giclée mounted or
(stretched) as shown, sized 30 x 48 inches,
plus 7-or-so inches for frame & brass name plate:
$1,350.00 (plus shipping and crate). |
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An unframed hand re-touched giclée with brass
title plate: $825 (shipping included).
Paper print, sized 18 x 32 inches: $175, plus $20 shipping |
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Frame denotes print available as Giclee on canvas |
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Most fans and former passengers of the Steamer DELTA QUEEN are aware that the grand old lady was towed over the open ocean from San Francisco thru the Panama Canal, up the Mississippi to Cincinnati. She was restored at Dravo Marine near Pittsburgh and then steamed down to Cincinnati to join the Greene Line in the spring of 1948.
Looking across the Ohio toward the now old GORDON C. GREENE, we see that she is sliding into shadow. After a couple of years trying to create a passenger excursion business on the Mississippi, Greene was sold into oblivion and after a series of unsuccessful owners she sank while tied up at the St. Louis levee in 1967.
Most of the old buildings along the Cincinnati waterfront were abandoned and city planners were looking ahead to recreational use for the waterfront.
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Hand retouched giclée on mounted or stretched
canvas including brass title plate sized 26 x 48 inches
plus frame $1450 shipping additional |
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Unframed rolled hand retouched giclée on canvas with
brass title plate
including shipping $875
Print on Paper 16 X 30 inches including shipping
$210 |
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Frame denotes print available as Giclee on canvas |
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Here is the magic of a moonlit night on the Ohio River. Cincinnati people have always had a special relationship to the river. From the famous Greene Line home port with the steamers GORDON C. GREENE and DELTA QUEEN, to a hundred others lost to the history books. A special boat stands out to those who could not afford an overnight adventure on the river. She was the ISLAND QUEEN.
Mostly, she plied the riverfront from the Public Landing upstream to the famous Coney Island Amusement Park. The Moonlight Gardens was a huge open dance area where adults could romance the night away, while the kids rode the roller coaster and other family rides.
Then, at the appointed hour, the steamer would blow her whistle, and crowds would board for the return trip to the Public Landing. The boat featured a massive dance floor and live band music for the return trip.
ISLAND QUEEN often wintered in New Orleans as a harbor-cruise boat. While on a charter to Pittsburgh in 1947, she caught fire and burned. To many native Cincinnati residents, it was like losing a member of the family. |
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Hand re-touched giclée on mounted or stretched canvas,
framed as shown and sized 26 x 44 inches, plus frame: $1,250
(shipping and crate not included). |
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Unframed hand retouched giclée on canvas rolled
with brass title plaque $775
with shipping included |
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Frame denotes print available as Giclee on canvas |
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Frame denotes print available as Giclee on canvas |
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Frame denotes print available as Giclee on canvas |
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The Ohio River is typically navigable, year-round. If a freeze occurs, today’s steel-hulled towboats can usually make their way through the ice without difficulty. The winter of December 1917 and January
1918 were on the record books for bone- chilling cold.
The Ohio was frozen, and navigation halted by 17 December of that year. In January, a sudden thaw and upstream rain in West Virginia caused the river to gorge at Sugar Creek Bend, just downriver from Cincinnati.
With the rain and ice gorge, the river rose almost 20 feet overnight! As the pack ice began to slide by the thick oak hulls, it crushed them like toys. Below is Captain Frederick Way’s sad narrative on the CITY OF LOUISVILLE, shown across the river in the painting:
“The CITY OF LOUISVILLE” was as fabled on the Ohio as the ROB’T. E. LEE was on the Mississippi. Her great size and power called for the supreme pilots of her day. As Capt. Ed Maurer once said “When you had her hard down rattling around Sugar Creek Bend, she was a whole lot of lumber. She left Louisville on May 16th
1917. The next day she was laid up across the river at Covington and remained there until December when she was returned to Cincinnati because of heavy ice. The ice got her on January 30th 1918 after a valiant fight; she had steam up and her wheels were working ahead when she went down, drafted back and settled at the doorway of the L &C Wharfboat.
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The hand re-touched giclée on mounted (or stretched) canvas is
sized 26 x 48 inches plus frame size with brass title plate :
$1450 (plus shipping and crate). |
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Unframed hand re-touched canvas: $875
(shipping included). |
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CHECK BACK - OUR SITE CHANGES OFTEN
Copyright 2013 Michael Blaser
Reproduction in part or whole without written permission is prohibited
Site Maintained By: Beyond Cyber Concepts
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